We are in the last few days of exploring the Netherlands with Seattle friends Steve and Janet. For our last day in Delft we stayed put, as did our tandems, and we explored the city on foot.
The Grote Markt or main city square was relatively empty since today was not a market day, and tourist season is also not yet in full swing. We showed you some canal photos in the last blog entry, and here's one more that is a bit different since this canal once brought goods for sale by boat to all those businesses you see on the right side of the Markt. Those are not doors you want to be stepping through nowadays.
The impressive building across the Markt is the Stadhuis, or city hall. The tower dates to the 1200s and survived a fire in 1618 but the rest of the building is post-fire, and more recently remodeled to look much as it did before the fire.
And now to tackle those stairs that will take us upward, away from all these graves and ghosts of the past. They are narrow, of course, and started out stone then turned to wood. Here's a downward look at the last several dozen steps as we made our way heavenward. After quite a good workout we came to an opening in the wall. Oh my! What a view! Things do look a bit different from up here, higher than the roof of the church.
From our 250-foot-high perch we can now see Rotterdam on the horizon, about 16 km / 10 miles away. But notice the green space between Delft and Rotterdam? When you look north toward Amsterdam, the green space is vaster still. The Dutch call this het Groene Hart, the Green Heart. Even though this is one of the most densely populated parts of a country that is itself one of the most densely populated in the world, you are never far from nature. The map below helps show this. Orange means houses and businesses, yellow a national park that is sand and heath, green a national park that is mostly forested, and off-white land that is farmed or forested. But up here you can see that the map lies -- the off-white areas are quite, quite green, at least this time of year.
Our ticket to the New Church also included a visit to the Old Church, also quite interesting but not needing photographic preservation in today's blog. But it does have four graves that draw crowds. Two are of admirals whose names are known to almost all Dutch people and to few others except enthusiasts of naval history. But the remaining two . . . they are blockbusters.
One is the final resting spot for Johannes Vermeer, a man who spent his entire life in Delft and died poor, but whose paintings are now among the most treasured in the world. His Girl with Pearl Earring is often called the "Dutch Mona Lisa." The other superstar native son is Antoni van Leeuwenhoek. He ran a shop here selling linen goods. He used magnifying glasses to get a better look at the quality of the fabrics he sold. One day he got the idea of combining two magnifying glasses of different sizes and shapes, and stumbled into becoming the inventor of the microscope. That would have been quite an accomplishment, but he kept going. He developed a skill at making lenses and produced incredibly good microscopes, then started looking at things with his new invention. When he looked at pond water, he was astonished. Little animals were swimming in it, so tiny that no eye or even magnifying glass could detect them. Today van Leeuwenhoek is considered the father of microbiology for his discoveries and his correspondence about them with Newton and other leading scientists of his day. The handsome bas relief is from a memorial to him in front of the modest home where he was born.
We now had three final days of riding with Steve and Janet. Our next stop was Gouda. Are you thinking of cheese after hearing that word? You're not alone. Some authorities on the web claim that over half the cheese sold in the world is categorized as gouda. Seems doubtful, but there's certainly a lot of it. It's so named not because it's made here, but rather because cheese of this type has been traded in a cheese market in Gouda for centuries. It still is, though today it's more tourist skit than commercial transaction. And of course our two tandem teams had to wander into a cheese shop to sample the wares, and of course our group needed to walk out with almost a kilo of cheese, of two different types.
Like a good Dutch city, Gouda also has a Grote Markt in the center of town, but unlike most, it has something in the middle of the town square -- the city hall. Its flair and its age -- it dates to the mid-1400s -- give you a good idea how long the cheese business has been making big money for Gouda. The Grote Kerk, by comparison, is tucked away in a warren of narrow streets, hiding from photographers. And let's not forget windmills. This is the Netherlands, ja? Gouda has two tucked into quiet corners of the old city.
It's easy to get mentally lost in the 15th, 16th and 17th centuries in places like then. Walking along, something jolted us into the middle of the 20th century, a Stolperstein. The idea for these "stumbling stones" came from German artist/activist Gunter Gemnig. Since 1992 nearly 70,000 have been placed in 22 countries. In Gouda alone there are 158. Each one is placed in front of the last place a victim of Nazi murder lived of his or her own free will, based on careful research. The name is a deliberate pun on both "stumbling" upon one as a chance encounter while walking, and stumbling in the sense of encountering a significant problem. This Stolperstein tells us that Sara van Dantzig once lived in the house here, was deported at age 58 to the detention center at Westerbork in eastern Netherlands, and murdered there three days later. By going to the Stolperstein website one can learn more about her life, and what documentation was used.
The next morning we continued eastward across a part of the Netherlands that is fairly watery. So much so that in 1672-73 the Dutch intentionally flooded a swath of land about a dozen miles across and several dozen miles long, and thereby successfully prevented the French army from attacking Amsterdam. Today the passage was quite pleasant, and a lookout tower with a carved cormorant for a neighbor gave us a good look at the surroundings.
We reached our hotel early and dropped off our panniers, then headed over to Kastel de Haar. In the 1890s, Etienne Gustav Frederic, Baron van Zuylen van Nijevelt van de Haar inherited this castle, or as it appeared to most people at that time, a pile of stone that once represented the ancestral home of the van Zuylens. By good luck or perhaps good planning, the Baron had managed to marry Helene de Rothschild, the only child of Paris banker Baron Salomon de Rothschild. With money no object, they hired Peter Cuypers, who had just designed the Rijksmuseum in Amsterdam, to rebuild the castle in what some would call mock medieval style.
And theatrical was probably an appropriate style, since the Baron and Baroness and their progeny in later generations have made a point of befriending folks from the theater and then the film world. Just a few of the guests, many on multiple occasions: Maria Callas, Gregory Peck, Roger Moore, Yves Saint Laurent, Coco Chanel, Joan Collins and Brigitte Bardot. Of course, what's not to like about being offered a stay in a sumptuous castle, all meals included, for the price of free?
We took a tour through the place. The two nicest rooms were the Baroness' bedroom and dressing room. A little Parisian influence from the Baroness, peut-être?
Our last day riding with Steve and Janet followed the Vecht River for much of the way. We stopped at a lock that connects the river with a nearby lake that is roughly a meter lower in elevation. Depending on the length of your boat, it costs between 4 and 6 euros each time you lock through. Nearby workers were busy thatching a roof, and a windmill sat quietly, its sails stowed away. We were 20 km from the heart of the largest city, Amsterdam, and the fourth-largest, Utrecht, but you'd never know it from scenes like these.
And then it got even more bucolic as we took a 4 km hard-packed clay/limestone path down a narrow peninsula that bisected the lake. Of course we climbed the tower. And of course Louise got in some push ups, something she tries to work into some part of each day, on top of the 40-50 km we ride most days.
Finally, we were in Naarden. This is a Vestingstad, a fortress city that still has its ancient defensive shape. The town hall has a model, or you can just look at the satellite view on Google Maps, to see its star shape. American and British planes on bombing missions from the UK to Germany in WW II used its shape and its position on the edge of the IJsselmeer to make it a landmark, in that age before GPS and the many other way-finding tools of our own era.
The artwork in the church was actually quite interesting, such as this woodwork and those paintings way up high on the ceiling. The one we've shown in close-up thanks to the telephoto lens on our camera depicts sinners being led off to hell.
After dinner we strolled over to the ramparts for a view, then retired to our B&B for the night. Next morning after breakfast we said goodbye to Steve and Janet as they headed west and, 3 days later, back to Seattle.
As they headed one way, we headed the other, east and then northeast. We'll tell you about it in our next blog entry, coming to a computer near you soon.
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